My current practice combines painting and philosophical inquiry in the areas of psychoanalysis, memory, anthropology, and narratives of the body. In the past year I've worked primarily through composing "visual poems" through the layering of found images, drawn/painted elements, and text. Often these small studies become the formative basis for a larger work. I've returned to textiles and painting as two foundational expressions of human creativity, one binding and wrapping the body, the other enveloping sight. Painting not only refers to painted images, but also to the orientation of a painter as a receiver and interpreter of experience.
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